Categories Behind the scenesThe Rough Cut The Rough Cut: Editing the Shifting Shapes of Netflix’s “Nimona” Posted by Matt Feury June 29, 2023 21 min
Categories Behind the scenesMade in Frame Made in Frame: How This Sports Photographer Beats the Clock Posted by Dean Rutz August 7, 2023 8 min
Categories Made in FrameProduction A Cloud-Powered Media Workflow for Live Music Events Posted by Lisa McNamara January 29, 2024 9 min
Categories Made in Frame The Descendants: Technology Collapses Time Posted by Lisa McNamara February 19, 2024 8 min
Categories Behind the scenesThe Rough Cut The Rough Cut: Editing Matthew Vaughn’s “Argylle” Posted by Matt Feury February 29, 2024 23 min
Categories BusinessOp-Ed How to Run an Independent Production Company (Without Selling Out) Posted by Ty Clark April 7, 2024 9 min
Categories ColorFinal Cut Pro The Editor’s Guide to Skin Tones in FCP X Posted by Jes Zurell March 13, 2017 11 min
Categories Made in Frame Made In Frame: Harry Styles’ “Kiwi” Music Video Posted by Lisa McNamara May 7, 2018 8 min
Categories VFX and MoGraphWorkflow Making the Move to a Remote VFX Workflow: Part 2 Posted by Scott Squires July 13, 2020 9 min
Categories Art of the CutBehind the scenes Art of the Cut: Painting with Light and Dark in Netflix’s “Shadow and Bone” Posted by Steve Hullfish June 23, 2021 18 min
Categories Art of the Cut Art of the Cut: Get in the Game with Ryan Reynolds’ “Free Guy” Posted by Steve Hullfish August 26, 2021 12 min
Categories Art of the Cut Art of the Cut: Aiming for the Heart in “The Protégé” Posted by Steve Hullfish September 1, 2021 20 min