Categories Insider TipsVFX and MoGraph Insider Tips: Calculate the Perfect Composition Length in After Effects Posted by Laurence Grayson November 8, 2023 2 min
Categories Art of the CutBehind the scenes Art of the Cut: Spinning the Web of Black Widow’s Backstory Posted by Steve Hullfish July 29, 2021 30 min
Categories Behind the scenesTechnology Virtual Production—When The Fabelmans Met The Mandalorian Posted by Noah Kadner April 24, 2023 5 min
Categories Behind the scenesThe Rough Cut The Rough Cut: Dialing in the Edit for Indiana Jones Posted by Matt Feury July 6, 2023 23 min
Categories AvidInsider Tips Insider Tips: Create Effects Preset Bins in Avid Media Composer Posted by Chris Tennant October 18, 2023 2 min
Categories Color The number 1 skill you can learn to become a great compositor: color matching Posted by Mark Christiansen August 25, 2016 3 min
Categories Made in Frame Made in Frame: The Oscar-Winning “Get Out” Posted by Ron Dawson February 26, 2018 10 min
Categories ConformDaVinci Resolve The Beginner’s Guide to Conforming with DaVinci Resolve Posted by Dan Swierenga March 29, 2019 13 min
Categories Behind the scenesWorkflow Workflow Breakdown of Every 2020 Oscars Best Picture and Editing Nominee Posted by Alexander Huls February 10, 2020 23 min
Categories Art of the Cut Art of the Cut: “Nobody” Editor Evan Schiff on Taking the Hard Knocks Posted by Steve Hullfish May 19, 2021 26 min
Categories DaVinci ResolvePost-production How To Work Faster in DaVinci Resolve (Without Upgrading Your Hardware) Posted by Dan Swierenga November 8, 2021 11 min
Categories Premiere Pro The Right (and Wrong) Way to Update Premiere Pro Posted by Jarle Leirpoll October 24, 2022 11 min