A One-Person VFX Pipeline with Stu Maschwitz [NAB 2019 Video]
Welcome to day 3 of our NAB 2019 video sessions series. We’re sharing a new video each day. If you would like instant access to all of the sessions, enter your email on the video, or sign up below.
Red Giant Chief Creative Officer Stu Maschwitz talks about the making of a live-action short film he DP’d for Oscar-winning animation director Mark Andrews. In between funny anecdotes, Stu shows how he uses a suite of tools—like Airtable, After Effects (including expressions), Frame.io, and of course, Red Giant—to produce the VFX for the project.
Watch the Session
Here are the highlights to take away from the video.
- Stu successfully made the jump to Director, DP, and VFX artist with short film projects, even though he formally trained as an animator at the world renown Cal Arts.
- The combination of After Effects, automation, Red Giant, and Frame.io empower small VFX workflows to punch far above their weight.
- Mark Andrews got Stu to DP his short by asking him if all those images of gear Stu posts are just for looks. 🙂
- On large projects, “procasti-tivity” (working on small automated solutions) can make a huge difference before you get started.
- Self-effacing joke about Stu’s poor DP skills.
- Stu loves tracking shots with Airtable, and using those shot directories to generate slates with Keyboard Maestro.
- A few more self-effacing jokes about his DP skills and at least one (maybe two) about his height.
- Red Giant’s “Super Comp” turns Stu’s bag of compositing tricks into a simple an intuitive plugin.