Menu
Frame.io Insider
Search
Frame.io InsiderFrame.io Insider
Menu
  • Post-Production
    • All
    • Audio
    • Editing
    • Insider Tips
    • NLEs
      • Avid
      • DaVinci Resolve
      • Final Cut Pro
      • Premiere Pro
    • VFX and MoGraph
  • Workflow
    • All
    • Color
    • Conform
    • Enterprise
      • All
      • Enterprise Solutions
      • Frame.io Enterprise
    • Process
    • Workflow Guide
  • Behind the Scenes
    • All
    • Art of the Cut
    • Interviews
    • Made in Frame
    • The Rough Cut
  • Production
    • All
    • Cinematography
    • Design
    • Directing
    • Storytelling
    • Technology
  • Business
    • All
    • Career
    • General Business
    • Sales & Marketing
  • Frame.io News
    • All
    • Announcements
    • Op-Ed
    • Support
  • Try Frame.io for Free!
Search
close

Behind the scenes

  • Art of the Cut65
  • Cribs2
  • Interviews31
  • Made in Frame88
  • The Rough Cut45
close
  • Post-production
    • All
    • Audio
    • Editing
    • Insider Tips
    • NLEs
      • Avid
      • DaVinci Resolve
      • Final Cut Pro
      • Premiere Pro
    • VFX and MoGraph
  • Workflow
    • All
    • Color
    • Conform
    • Enterprise
      • Enterprise Solutions
      • Frame.io Enterprise
    • Process
    • Workflow Guide
  • Behind the scenes
    • All
    • Art of the Cut
    • Interviews
    • Made in Frame
    • The Rough Cut
  • Production
    • All
    • Cinematography
    • Design
    • Directing
    • Storytelling
    • Technology
  • Business
    • All
    • Career
    • General Business
    • Op-Ed
  • Frame.io News
    • Announcements
    • Support
Categories
  • Behind the scenes
  • Interviews

Tom Cross Rockets to New Heights Editing “First Man”

  • Posted by Alexander Huls
  • February 18, 2019
  • 8 min
Categories
  • Behind the scenes
  • Interviews

Joe Walker: How the Editor of “Widows” Pulled off the Perfect Heist

  • Posted by Alexander Huls
  • February 14, 2019
  • 7 min
Categories
  • Behind the scenes
  • Interviews

A New Take on the Old West: Editing Netflix’s Ballad of Buster Scruggs

  • Posted by Alexander Huls
  • February 11, 2019
  • 8 min
Categories
  • Behind the scenes
  • Interviews

Editing Roma: An Emotional Journey from Indie to Oscars

  • Posted by Alexander Huls
  • February 4, 2019
  • 10 min
Categories
  • Behind the scenes
  • Interviews

It Takes a Village: The M:I-6 Editorial Crew and What They Do

  • Posted by Lisa McNamara
  • January 28, 2019
  • 14 min
Categories
  • Made in Frame

Made in Frame: Gizmodo Media Group’s Need for Speed

  • Posted by Lisa McNamara
  • December 17, 2018
  • 9 min
Categories
  • Made in Frame

Made in Frame: Cinelab’s Film Workflow Merges Old Tech with New

  • Posted by Lisa McNamara
  • November 19, 2018
  • 9 min
Categories
  • Behind the scenes
  • Interviews

On Gender and Genre: A Woman’s Experience Cutting Action Blockbusters

  • Posted by Lisa McNamara
  • October 1, 2018
  • 9 min
Categories
  • Made in Frame

Made in Frame: Cutting the Thriller “Searching” in Adobe Premiere Pro

  • Posted by Andy Young
  • September 10, 2018
  • 11 min
Categories
  • Behind the scenes
  • Interviews

The Editorial Process and Philosophy Behind Mission: Impossible – Fallout

  • Posted by Lisa McNamara
  • July 30, 2018
  • 12 min
Categories
  • Interviews
  • Made in Frame

Made in Frame: Film Riot and Ryan Connolly’s BALLiSTIC

  • Posted by Lisa McNamara
  • July 16, 2018
  • 11 min
Categories
  • Behind the scenes
  • Interviews

Edit like a Master Chef: Hotel Artemis’ Secret Recipe

  • Posted by Lisa McNamara
  • July 2, 2018
  • 10 min

Posts pagination

  • Newer Posts
  • 1
  • …
  • 18
  • 19
  • 20
  • 21
  • 22
  • Older Posts

Our mission is to create tactical, actionable articles that teach valuable skills. We want to highlight the amazing work that’s being done every day in our industry, but instead of conducting armchair interviews, we dive into the messy details and show you how it actually works.

Want to join us?
Explore Frame.io
© 2024 ADOBE. ALL RIGHTS RESERVED.

MADE WITH 🩶 IN NEW YORK CITY