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Behind the scenes

  • Art of the Cut65
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  • Behind the scenes
  • The Rough Cut

The Rough Cut: Editing Donald Glover’s “Mr. and Mrs. Smith”

  • Posted by Matt Feury
  • February 8, 2024
  • 21 min
Categories
  • Behind the scenes
  • Workflow

Film Festivals: What Has Changed and What to Expect in 2024

  • Posted by Danny Avershal
  • February 6, 2024
  • 6 min
Categories
  • Behind the scenes
  • Business

Sundance: Frame.io, the Paranormal, and Hometown Heroes

  • Posted by Jay Kidd
  • February 5, 2024
  • 10 min
Categories
  • Made in Frame
  • Production

A Cloud-Powered Media Workflow for Live Music Events 

  • Posted by Lisa McNamara
  • January 29, 2024
  • 9 min
Categories
  • Behind the scenes
  • The Rough Cut

The Bear is Back: Editing Seth Macfarlane’s “Ted”

  • Posted by Matt Feury
  • January 25, 2024
  • 28 min
Categories
  • Behind the scenes
  • The Rough Cut

Orchestrating Bradley Cooper’s “Maestro”

  • Posted by Matt Feury
  • January 18, 2024
  • 20 min
Categories
  • Enterprise
  • Made in Frame

VMware by Broadcom Takes Global Content Creation to the Cloud

  • Posted by Lisa McNamara
  • January 11, 2024
  • 15 min
Categories
  • Behind the scenes
  • The Rough Cut

The Rough Cut: Editor Jon Poll on Reimagining “The Color Purple”

  • Posted by Matt Feury
  • January 4, 2024
  • 22 min
Categories
  • Behind the scenes
  • The Rough Cut

Cutting Satire in Cord Jefferson’s “American Fiction”

  • Posted by Matt Feury
  • December 21, 2023
  • 19 min
Categories
  • Behind the scenes
  • VFX and MoGraph

Your Friendly Neighborhood MOE: Crafting the End Titles for Marvel’s “Spider-Man 2”

  • Posted by Jay Kidd
  • December 18, 2023
  • 8 min
Categories
  • Behind the scenes
  • The Rough Cut

The Rough Cut: Bringing Yorgos Lanthimos’ “Poor Things” to Life

  • Posted by Matt Feury
  • December 14, 2023
  • 19 min
Categories
  • Behind the scenes
  • The Rough Cut

The Rough Cut: Conquering Ridley Scott’s “Napoleon”

  • Posted by Matt Feury
  • December 7, 2023
  • 26 min

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