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  • Art of the Cut

Art of the Cut: Getting Bloody Revenge in “The Northman”

  • Posted by Steve Hullfish
  • April 27, 2022
  • 26 min
Categories
  • Made in Frame
  • Technology

Made in Frame: FDX Takes Indie Film “Schlamassel” to the Cloud

  • Posted by Lisa McNamara
  • April 25, 2022
  • 6 min
Categories
  • Art of the Cut

Art of the Cut: Navigating Love and Loss in “Drive My Car”

  • Posted by Steve Hullfish
  • April 20, 2022
  • 15 min
Categories
  • Art of the Cut

Art of the Cut: Everything Everywhere All at Once

  • Posted by Steve Hullfish
  • April 13, 2022
  • 22 min
Categories
  • Art of the Cut

Art of the Cut Special: “Belfast” and “Death on the Nile” Editor, Úna ní Dhongaíle

  • Posted by Steve Hullfish
  • April 6, 2022
  • 48 min
Categories
  • Made in Frame

Made in Frame: The 4K Remastering of “Star Trek: The Motion Picture”

  • Posted by Laurence Grayson
  • April 4, 2022
  • 9 min
Categories
  • Art of the Cut

Art of the Cut: Seeing Another Side of China in Oscar-Nominated “Ascension”

  • Posted by Steve Hullfish
  • April 1, 2022
  • 25 min
Categories
  • Behind the scenes

Join Our Virtual Roundtable with 2022’s Best Cinematography Nominees

  • Posted by David Heuring
  • March 31, 2022
  • 12 min
Categories
  • Behind the scenes
  • Editing

Meet the Editors Behind 2022’s Top Oscar Nominees

  • Posted by Steve Hullfish
  • March 29, 2022
  • 36 min
Workflow breakdown of the 2022 Best Picture nominees
Categories
  • Behind the scenes
  • Workflow

Workflow Breakdown of Every 2022 Oscars Best Picture Nominee

  • Posted by Lisa McNamara
  • March 28, 2022
  • 42 min
Categories
  • Editing
  • Interviews

What Makes Editing Award-Worthy? We Ask Award-Winning Editors.

  • Posted by Steve Hullfish
  • March 23, 2022
  • 12 min
Categories
  • Interviews

Breaking Down the Male Gaze in “Brainwashed: Sex-Camera-Power”

  • Posted by Lisa McNamara
  • March 21, 2022
  • 9 min

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