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  • Post-production
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Categories
  • Editing
  • Post-production

How to Train Your Director: The Keys to Editing Collaboration

  • Posted by Reuben Evans
  • September 19, 2022
  • 6 min
Categories
  • Made in Frame
  • VFX and MoGraph

Made in Frame: How Imaginary Forces Laid the Foundation for Apple TV’s Sci-Fi Hit

  • Posted by Lisa McNamara
  • September 12, 2022
  • 6 min
Categories
  • VFX and MoGraph

The Pitfalls of Exchanging Files: Alpha Channels, Data Range, and More

  • Posted by Dan Swierenga
  • August 18, 2022
  • 13 min
Categories
  • Final Cut Pro

On the Right Track: Taking FCP’s Object Tracker Off Road

  • Posted by Reuben Evans
  • August 1, 2022
  • 6 min
Categories
  • Editing

Stuck in an Edit? Take a Walk (and Other Solutions)

  • Posted by Jonny Elwyn
  • July 25, 2022
  • 8 min
Categories
  • Made in Frame
  • Premiere Pro

Fighting a Running Battle for Afghan Women in The North Face’s “Free to Run”

  • Posted by Lisa McNamara
  • July 18, 2022
  • 14 min
Categories
  • Color
  • DaVinci Resolve

What Do You Need to Start Color Grading Professionally?

  • Posted by Charles Haine
  • July 5, 2022
  • 12 min
Categories
  • Post-production

Investing in Stock: The Pros and Cons of Stock Footage

  • Posted by Chris Salters
  • June 20, 2022
  • 5 min
Categories
  • Post-production
  • Premiere Pro

Troubleshooting Dynamic Link Problems in Premiere Pro and After Effects

  • Posted by Jarle Leirpoll
  • June 13, 2022
  • 17 min
Categories
  • Career
  • Editing

How Remote Editors Build Successful External Client Relationships

  • Posted by Chris Salters
  • June 2, 2022
  • 11 min
Editor Sarah Katz
Categories
  • Editing
  • Workflow Process

Camera to Cloud Has Changed How I Work as an Editor

  • Posted by Sarah Katz
  • May 19, 2022
  • 6 min
Categories
  • Behind the scenes
  • Editing

Meet the Editors Behind 2022’s Top Oscar Nominees

  • Posted by Steve Hullfish
  • March 29, 2022
  • 36 min

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