Menu
Frame.io Insider
Search
Frame.io InsiderFrame.io Insider
Menu
  • Post-Production
    • All
    • Audio
    • Editing
    • Insider Tips
    • NLEs
      • Avid
      • DaVinci Resolve
      • Final Cut Pro
      • Premiere Pro
    • VFX and MoGraph
  • Workflow
    • All
    • Color
    • Conform
    • Enterprise
      • All
      • Enterprise Solutions
      • Frame.io Enterprise
    • Process
    • Workflow Guide
  • Behind the Scenes
    • All
    • Art of the Cut
    • Interviews
    • Made in Frame
    • The Rough Cut
  • Production
    • All
    • Cinematography
    • Design
    • Directing
    • Storytelling
    • Technology
  • Business
    • All
    • Career
    • General Business
    • Sales & Marketing
  • Frame.io News
    • All
    • Announcements
    • Op-Ed
    • Support
  • Try Frame.io for Free!
Search
close

Workflow

  • Color65
  • Conform9
  • Workflow Process17
close
  • Post-production
    • All
    • Audio
    • Editing
    • Insider Tips
    • NLEs
      • Avid
      • DaVinci Resolve
      • Final Cut Pro
      • Premiere Pro
    • VFX and MoGraph
  • Workflow
    • All
    • Color
    • Conform
    • Enterprise
      • Enterprise Solutions
      • Frame.io Enterprise
    • Process
    • Workflow Guide
  • Behind the scenes
    • All
    • Art of the Cut
    • Interviews
    • Made in Frame
    • The Rough Cut
  • Production
    • All
    • Cinematography
    • Design
    • Directing
    • Storytelling
    • Technology
  • Business
    • All
    • Career
    • General Business
    • Op-Ed
  • Frame.io News
    • Announcements
    • Support
Categories
  • Color
  • DaVinci Resolve

How a Pro Colorist Maximizes Color Separation

  • Posted by Cullen Kelly
  • October 21, 2024
  • 7 min
Categories
  • Color
  • DaVinci Resolve

Should You Use Resolve Color Management or CSTs?

  • Posted by Cullen Kelly
  • October 7, 2024
  • 6 min
Categories
  • Premiere Pro
  • Workflow

The Ultimate Guide to Premiere Pro Productions

  • Posted by Jarle Leirpoll
  • September 30, 2024
  • 38 min
Categories
  • Color
  • DaVinci Resolve

What is Rolloff? A Pro Colorist Explains

  • Posted by Cullen Kelly
  • September 16, 2024
  • 6 min
Categories
  • Color
  • DaVinci Resolve

What is Gamma? And How Does a Pro Colorist Use It?

  • Posted by Cullen Kelly
  • September 2, 2024
  • 5 min
Categories
  • Color
  • Premiere Pro

The Complete 2024 Premiere Pro Color Correction Guide

  • Posted by Jarle Leirpoll
  • August 25, 2024
  • 40 min
Categories
  • Color
  • DaVinci Resolve

What’s in Resolve’s New Film Look Creator Plugin?

  • Posted by Cullen Kelly
  • August 15, 2024
  • 10 min
Categories
  • Color
  • DaVinci Resolve

When Should You Color Grade in Log vs. Linear?

  • Posted by Cullen Kelly
  • August 5, 2024
  • 9 min
Categories
  • Color
  • Op-Ed

Required Reading for Colorists—Books To Lift Your Grades

  • Posted by Heather Hay
  • July 15, 2024
  • 5 min
Categories
  • Color
  • DaVinci Resolve

Exposing to the Right: What Everyone Gets Wrong

  • Posted by Cullen Kelly
  • July 1, 2024
  • 6 min
Categories
  • Color
  • Workflow

ARRI REVEAL Color Science Explained

  • Posted by Jay Kidd
  • June 10, 2024
  • 19 min
Categories
  • Color
  • DaVinci Resolve

How to Manage RAW Footage Using Nodes in DaVinci Resolve

  • Posted by Cullen Kelly
  • June 3, 2024
  • 7 min

Posts pagination

  • 1
  • 2
  • 3
  • …
  • 14
  • Older Posts

Our mission is to create tactical, actionable articles that teach valuable skills. We want to highlight the amazing work that’s being done every day in our industry, but instead of conducting armchair interviews, we dive into the messy details and show you how it actually works.

Want to join us?
Explore Frame.io
© 2024 ADOBE. ALL RIGHTS RESERVED.

MADE WITH 🩶 IN NEW YORK CITY