Categories Premiere ProSound It’s All in the Mix: The Editor’s Guide to Audio Mixing in Premiere Pro Posted by Chris Salters August 16, 2021 9 min
Categories Art of the Cut Art of the Cut: Inside the Heroic Editing of Marvel’s “Shang-Chi” Posted by Steve Hullfish September 15, 2021 23 min
Categories Art of the Cut Art of the Cut: Building the New Western in “The Harder They Fall” Posted by Steve Hullfish October 20, 2021 16 min
Categories ColorPost-production Is 2022 the Year You Buy Into HDR? Posted by Jason Druss January 17, 2022 7 min
Categories Made in Frame Made in Frame: The 4K Remastering of “Star Trek: The Motion Picture” Posted by Laurence Grayson April 4, 2022 9 min
Categories AnnouncementsProduction NAB 2022: Atomos and Frame.io Expand Camera to Cloud To Hundreds of New Cameras Posted by Michael Cioni April 21, 2022 3 min
Categories Art of the Cut Art of the Cut: Getting Bloody Revenge in “The Northman” Posted by Steve Hullfish April 27, 2022 26 min
Categories EditingWorkflow Process Camera to Cloud Has Changed How I Work as an Editor Posted by Sarah Katz May 19, 2022 6 min
Categories CinematographyWorkflow Camera to Cloud has Changed How I Work as a Cinematographer Posted by Alissa Rooney June 6, 2022 9 min
Categories Made in Frame Made in Frame: Editors of “The Bear” Reveal How the Sausage is Made Posted by Lisa McNamara August 29, 2022 11 min
Categories EditingPost-production How to Train Your Director: The Keys to Editing Collaboration Posted by Reuben Evans September 19, 2022 6 min
Categories Made in Frame Made in Frame: Rebuilding the Story of a Broken Man Posted by Lisa McNamara September 22, 2022 11 min