Categories EditingMade in Frame Made in Frame: Editing Oscar-nominated “One Night in Miami” Posted by Steve Hullfish April 28, 2021 10 min
Categories Art of the CutBehind the scenes Art of the Cut: Painting with Light and Dark in Netflix’s “Shadow and Bone” Posted by Steve Hullfish June 23, 2021 18 min
Categories Art of the CutSound Art of the Cut: Tales From the Mixing Desk of Skywalker Sound Posted by Steve Hullfish July 14, 2021 25 min
Categories Art of the Cut Art of the Cut: Aiming for the Heart in “The Protégé” Posted by Steve Hullfish September 1, 2021 20 min
Categories BusinessMade in Frame Made in Frame: How YETI Pushes Content Marketing to the Next Level Posted by Lisa McNamara October 12, 2021 8 min
Categories Art of the Cut Art of the Cut Special: “Belfast” and “Death on the Nile” Editor, Úna ní Dhongaíle Posted by Steve Hullfish April 6, 2022 48 min
Categories Made in FrameWorkflow Digital Cinema Society Takes to the Cloud for NAB and Cine Gear 2022 Posted by James Mathers June 9, 2022 6 min
Categories Made in FramePremiere Pro Fighting a Running Battle for Afghan Women in The North Face’s “Free to Run” Posted by Lisa McNamara July 18, 2022 14 min
Categories Workflow Take a Walk Through Our Cine Gear Workflow Zone Posted by Michael Cioni June 29, 2022 5 min
Categories Made in FrameVFX and MoGraph Made in Frame: How a Remote-First VFX House Lit Up Amazon’s “Jungle” Posted by Lisa McNamara September 29, 2022 8 min
Categories Post-production Archiving Your Video Project: What Do You Do When You’re Done? Posted by Charles Haine February 6, 2023 12 min
Categories Behind the scenesProduction What Working on “The Marvelous Mrs. Maisel” Taught Me About the Importance of Eyelines Posted by Jay Kidd March 20, 2023 14 min