The Frame.io editorial team gets input from post production experts on how to aggressively cut your film or video to better serve the story.

An in-depth look at timecode, how it works (both on set and in post), and the crucial role that frame rates play in using it correctly.

A personal interview with the former EVP of Physical Production at Alcon Entertainment, about success and setbacks in Hollywood as a double minority.

A test screening is a great way to get constructive and objective feedback on your film. Here are six tips for having a successful and helpful screening.

The director/editor collaboration is like a romantic relationship. They spend a lot of time together. Here are 6 tips for editors to keep the relationship going.

The Oscar-winning editor of “Hacksaw Ridge,” John Gilbert, gives some valuable insight on how he edits a feature film and how he collaborates other artists.

PBS editor Steve Audette, ACE gives the essential ingredients for a compelling documentary and explains how he crafts a character-driven narrative.

Join companies like Vice, Buzzfeed & Turner who use Frame.io Enterprise to privately upload, share and review media across their entire organization.

Documentary editor and director Bill Weber shares how a love for the Doors and the Grateful Dead contributed to his editing style.

Avid Media Composer makes working with high-resolution video as painless as possible by the use of intermediate codecs and proxy media.

The co-editor of “Dr. Strange,” Sabrina Plisco, shares about her nearly 30 years in the business and how she made the jump from assistant to lead.

Accidents are surprisingly important in art. Better Call Saul editor Chris McCaleb shares insight on the value of mistakes made during production.