PBS editor Steve Audette, ACE gives the essential ingredients for a compelling documentary and explains how he crafts a character-driven narrative.

Join companies like Vice, Buzzfeed & Turner who use Frame.io Enterprise to privately upload, share and review media across their entire organization.

Documentary editor and director Bill Weber shares how a love for the Doors and the Grateful Dead contributed to his editing style.

Avid Media Composer makes working with high-resolution video as painless as possible by the use of intermediate codecs and proxy media.

The co-editor of “Dr. Strange,” Sabrina Plisco, shares about her nearly 30 years in the business and how she made the jump from assistant to lead.

Accidents are surprisingly important in art. Better Call Saul editor Chris McCaleb shares insight on the value of mistakes made during production.

Veteran FRONTLINE editor Steve Audette, ACE shares how he crafts compelling stories with integrity, that people will actually want to watch.

How to get hired as an editor, from the perspective of the person who’s doing the hiring – covering the reel, scene samples, and how to get rehired.

Today, I am excited to announce Frame.io Version 1.4 for iOS! This latest update brings new speed and simplicity to video collaboration on mobile.

Shot Matching is an essential color-correction skill, and this article teaches how to make a shot from La La Land look like Moonlight in about 60 seconds.

Sharing the editing role can be a wonderfully creative experience, or a tense, awkward one. Sabrina Plisco shares her experience on several major films.

In our industry, you can be lucky, or you can be consistent. Most of us aren’t lucky, but if you follow some basic principles, you can build a great career.