We take an in-depth and comprehensive look at Adobe Premiere Pro’s Lumetri Color Panel and the suite of Premiere’s color grading tools.

An in-depth look at preparation and organization for batch syncing audio in Adobe Premiere, and the best methods to do it.

We sit down with editor David Stevens of The Assembly Rooms for a behind-the-scenes look at the shooting and editing of Harry Styles’ music video, “Kiwi.”

An in-depth look at how to prepare for and edit high-resolution RED footage for every kind of project, regardless of the NLE you use.

It seems like every year some new product is heralded as a game-changer. We reached out to over a dozen respected leaders to help us spot the real ones.

We’ve all been there. You start to transfer a few large files at the end of the day for your client to review, leave the office for the night, and return the next morning, only to see they failed to upload. That feeling sucks, and it’s exactly why we’re so excited to introduce Frame.io Watch […]

ARRIRAW can yield amazing images that take up an enormous amount of space. Learn the ins and outs of managing all that data (or making the call not to).

Today we’re excited to share a preview of the all new Frame.io – coming Summer 2018. It’s our biggest and most important update, ever. We went back to the drawing board for this one and rewrote the application from the ground up with a focus on speed and security. Over 1 year in the making, […]

The New Balance #FearlesslyIndependent ad editor shares about the creative and technical challenges making a video with collaborators around the world.

The Frame.io team will be in Las Vegas April 7-12 for NAB 2018. Say hello at our booth, at Supermeet, at Media Motion Ball, or schedule a private meeting.

“Renaissance Editor” Evan Schiff has worked on such films as John Wick 2, Star Trek: Into Darkness, and Baby Driver. He shares his secrets to success.

We take a close look at and analyze the editing of six iconic films from past and present-day that every editor should watch.