Categories Behind the scenesWorkflow The Rough Cut: 2024 Oscars Editing Round Table Posted by Lisa McNamara March 6, 2024 31 min
Categories DaVinci ResolveInsider Tips Insider Tips: Easily Fix Color Space Artifacts in Resolve Posted by Rafael Bernabeu Parreño March 6, 2024 2 min
Categories CinematographyProduction The Cinematography of 2024’s Oscars Best Picture Category Posted by Phil Rhodes March 4, 2024 12 min
Categories Behind the scenesThe Rough Cut The Rough Cut: Editing Matthew Vaughn’s “Argylle” Posted by Matt Feury February 29, 2024 23 min
Categories Insider TipsVFX and MoGraph Insider Tips: Repeating Shapes and Layers in After Effects Posted by Laurence Grayson February 28, 2024 2 min
Categories EditingTechnology Video Bitrates and Export Myths Posted by Jarle Leirpoll February 26, 2024 19 min
Categories Behind the scenesThe Rough Cut Reverse-Engineering Murder: Editing “Anatomy of a Fall” Posted by Matt Feury February 22, 2024 16 min
Categories Final Cut ProInsider Tips Insider Tips: Separate Dialogue with Final Cut Pro’s Audio Notch Filter Posted by Reuben Evans February 21, 2024 2 min
Categories Made in Frame The Descendants: Technology Collapses Time Posted by Lisa McNamara February 19, 2024 8 min
Categories Behind the scenesThe Rough Cut The Rough Cut: Cutting the Cocaine Godmother for Netflix’s “Griselda” Posted by Matt Feury February 15, 2024 24 min
Categories Insider TipsPremiere Pro Insider Tips: Move Clips Using Premiere Pro’s Keyboard Shortcuts Posted by Chris Salters February 14, 2024 2 min
Categories ColorDaVinci Resolve Resolve Color Management vs ACES—Which Should You Choose? Posted by Cullen Kelly February 12, 2024 7 min