Insider Tips: Get Creative with Premiere Pro Adjustment Layers

Insider Tips: Get Creative with Premiere Pro Adjustment Layers

Every week, Frame.io Insider asks one of our expert contributors to share a tip, tool, or technique that they use all the time and couldn’t live without. This week, Chris Salters demonstrates some creative uses for adjustment layers in Premiere Pro.


Creative uses for Premiere Pro’s Adjustment Layers

If you haven’t been using Adjustment Layers in Premiere Pro, it’s time to reconsider. Adjustment Layers are essentially empty video clips that can be added to a timeline. They can hold effects that affect the video clips on layers underneath them. Here are a few creative use cases for Adjustment Layers that can boost your workflow.

Color correction and LUTs

My main use for Adjustment Layers is for adding LUTs across a sequence in Premiere. A single Adjustment Layer can span an entire timeline and hold a single LUT for every clip in the timeline using the Lumetri effect. The added benefit to this method of applying a LUT in Premiere is that you can then add a separate Lumetri effect to individual clips under the Adjustment Layer for color correction before the LUT is applied to a clip, providing more color flexibility.

An Adjustment Layer can add LUTs across a sequence in Premiere Pro.
An Adjustment Layer can apply a LUT across an entire sequence in Premiere Pro.

Apply motion to composited clips

If your edit contains picture-in-picture elements or any other type of composited shots, use an Adjustment Layer. This will let you add motion (or any other effect) to all of the clips underneath it without nesting. One example is to add a Transform effect and use that to gently scale up a composited shot.

DIY transition effects

In a similar fashion, Adjustment Layers can span edits between clips, giving you the ability to create your own fancy transitions.

Adjustment Layers allow you to add transition effects between clips.
You can use Adjustment Layers to add transition effects between clips.

For example, you can make a glow transition by adding levels, a slight gaussian blur, and some keyframes to an adjustment layer.


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Thank you to Chris Salters for contributing this article.

Chris Salters is a freelance video editor who cuts commercials and brand films. Based in Dallas/Fort Worth, Texas, he spends his free time cycling, woodworking, and being a Dad. Chris is fueled by coffee and rewarded by beer.

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