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Post-production

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  • Post-production
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Categories
  • Color
  • DaVinci Resolve

ACES 1.3—Fixing Those Color Management Issues

  • Posted by Cullen Kelly
  • June 26, 2023
  • 6 min
Categories
  • Insider Tips
  • VFX and MoGraph

Insider Tips: Apply a Track Matte to Multiple Layers in After Effects

  • Posted by Laurence Grayson
  • June 21, 2023
  • 2 min
Categories
  • Final Cut Pro
  • Insider Tips

Insider Tips: Anchor Your Audio with a Gap Clip in Final Cut Pro

  • Posted by Reuben Evans
  • June 14, 2023
  • 2 min
Categories
  • Insider Tips
  • Premiere Pro

Insider Tips: Stretch Out Your Music Tracks in Premiere Pro

  • Posted by Chris Salters
  • June 7, 2023
  • 2 min
Categories
  • DaVinci Resolve
  • Insider Tips

Insider Tips: Sync Multi-Camera Footage with DaVinci Resolve’s Sync Bins

  • Posted by Charles Haine
  • May 31, 2023
  • 2 min
Categories
  • DaVinci Resolve
  • Post-production

Can You Really Emulate the Look of Film with a LUT?

  • Posted by Charles Haine
  • May 29, 2023
  • 8 min
Categories
  • Avid
  • Insider Tips

Insider Tips: Create a Quick Timecode List in Media Composer

  • Posted by Chris Tennant
  • May 24, 2023
  • 2 min
Categories
  • Color
  • DaVinci Resolve

Get to Grips with Resolve’s Most Important Nodes: Serial, Parallel, and Outside

  • Posted by Cullen Kelly
  • May 22, 2023
  • 8 min
Categories
  • Insider Tips
  • VFX and MoGraph

Insider Tips: Quickly Create Complex Motion Paths in After Effects

  • Posted by Laurence Grayson
  • May 17, 2023
  • 2 min
Categories
  • Premiere Pro
  • VFX and MoGraph

Make the Most of Your MOGRTs (Motion Graphics Templates)

  • Posted by Jarle Leirpoll
  • May 15, 2023
  • 16 min
Categories
  • Final Cut Pro
  • Insider Tips

Insider Tips: Creating an Adjustment Layer for LUTs in Final Cut Pro

  • Posted by Reuben Evans
  • May 10, 2023
  • 2 min
Categories
  • Insider Tips
  • Premiere Pro

Insider Tips: Use Add Edits for Faster Cuts in Premiere Pro

  • Posted by Chris Salters
  • May 3, 2023
  • 2 min

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