Categories Made in Frame Made in Frame: The Oscar-Winning “Get Out” Posted by Ron Dawson February 26, 2018 10 min
Categories Behind the scenesWorkflow Workflow Breakdown of Every 2020 Oscars Best Picture and Editing Nominee Posted by Alexander Huls February 10, 2020 23 min
Categories Premiere Pro The Right (and Wrong) Way to Update Premiere Pro Posted by Jarle Leirpoll October 24, 2022 11 min
Categories Premiere Pro Troubleshooting Premiere Pro: How to Diagnose and Fix Common Problems in 2024 Posted by Jarle Leirpoll November 14, 2022 21 min
Categories Made in Frame Made in Frame: Foo Fighters Try Death Metal in Horror-Comedy “Studio 666” Posted by Lisa McNamara February 28, 2022 14 min
Categories The Rough Cut The Rough Cut: Bringing Humanity to AI in Gareth Edwards’ “The Creator” Posted by Matt Feury October 12, 2023 22 min
Categories Made in FrameWorkflow Made in Frame: David Lowery’s Arthurian Epic “The Green Knight” Posted by Lisa McNamara August 2, 2021 9 min
Categories SoundWorkflow Recording Voiceovers From Home — Part 4: Cleaning and Finalizing Posted by Laurence Grayson March 17, 2022 14 min
Categories Art of the Cut Art of the Cut: Wes Anderson’s Latest Tableau, “The French Dispatch” Posted by Steve Hullfish November 3, 2021 25 min
Categories Behind the scenesVFX and MoGraph A Question of Perception: How This Innovative Studio Sees VFX From a Different Angle Posted by Laurence Grayson July 10, 2023 8 min
Categories Premiere ProWorkflow The Ultimate Guide to Premiere Pro Productions Posted by Jarle Leirpoll September 30, 2024 38 min
Categories ColorFinal Cut Pro FCPX 10.4’s Color Grading Tools Are a Game Changer Posted by Nick Harauz January 10, 2018 13 min
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