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Insider Tips: Create a Quick Timecode List in Media Composer

  • Posted by Chris Tennant
  • May 24, 2023
  • 2 min
Categories
  • Color
  • DaVinci Resolve

Get to Grips with Resolve’s Most Important Nodes: Serial, Parallel, and Outside

  • Posted by Cullen Kelly
  • May 22, 2023
  • 8 min
Categories
  • Premiere Pro
  • VFX and MoGraph

Make the Most of Your MOGRTs (Motion Graphics Templates)

  • Posted by Jarle Leirpoll
  • May 15, 2023
  • 16 min
Categories
  • Final Cut Pro
  • Insider Tips

Insider Tips: Creating an Adjustment Layer for LUTs in Final Cut Pro

  • Posted by Reuben Evans
  • May 10, 2023
  • 2 min
Categories
  • Insider Tips
  • Premiere Pro

Insider Tips: Use Add Edits for Faster Cuts in Premiere Pro

  • Posted by Chris Salters
  • May 3, 2023
  • 2 min
Categories
  • Color
  • DaVinci Resolve

How to Fix the Dreaded “Video Look” Using DaVinci Resolve

  • Posted by Cullen Kelly
  • May 1, 2023
  • 8 min
Categories
  • Avid
  • Insider Tips

Insider Tips: Color Coding is Key to Staying Organized in Media Composer

  • Posted by Chris Tennant
  • April 26, 2023
  • 2 min
Categories
  • Color
  • DaVinci Resolve

Insider Tips: See the Invisible with DaVinci Resolve’s A/B Mode

  • Posted by Charles Haine
  • April 19, 2023
  • 2 min
Categories
  • Final Cut Pro
  • Post-production

Speed Up Final Cut Pro with CommandPost

  • Posted by Reuben Evans
  • April 17, 2023
  • 8 min
Categories
  • Premiere Pro

An Assistant Editor’s Guide to Syncing Projects in Premiere Pro

  • Posted by Chris Tennant
  • April 10, 2023
  • 6 min
Categories
  • Final Cut Pro
  • Insider Tips

Insider Tips: Save Time with Final Cut Pro’s Precision Editor

  • Posted by Reuben Evans
  • April 5, 2023
  • 2 min
Categories
  • Color
  • DaVinci Resolve

The Simple Technique for “Cinematic” Color Saturation in DaVinci Resolve

  • Posted by Cullen Kelly
  • April 3, 2023
  • 7 min

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