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Categories
  • Color
  • DaVinci Resolve

Grading by Numbers. When to Use Color Scopes (and When Not To)

  • Posted by Charles Haine
  • September 18, 2023
  • 12 min
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  • Color
  • DaVinci Resolve

How a Professional Colorist Grades RED Camera Footage in Resolve

  • Posted by Cullen Kelly
  • September 4, 2023
  • 6 min
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  • Premiere Pro

Frame.io Connections: Color Grading Essentials in Premiere Pro

  • Posted by Ray Ouladi
  • August 21, 2023
  • 11 min
Categories
  • Color

How a Pro Colorist Uses Film Grain

  • Posted by Cullen Kelly
  • August 14, 2023
  • 6 min
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  • Color

How Professional Colorists Look at Image Contrast

  • Posted by Cullen Kelly
  • July 24, 2023
  • 5 min
Categories
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  • DaVinci Resolve

ACES 1.3—Fixing Those Color Management Issues

  • Posted by Cullen Kelly
  • June 26, 2023
  • 6 min
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  • DaVinci Resolve

Get to Grips with Resolve’s Most Important Nodes: Serial, Parallel, and Outside

  • Posted by Cullen Kelly
  • May 22, 2023
  • 8 min
Categories
  • Color
  • DaVinci Resolve

How to Fix the Dreaded “Video Look” Using DaVinci Resolve

  • Posted by Cullen Kelly
  • May 1, 2023
  • 8 min
Categories
  • Color
  • DaVinci Resolve

Insider Tips: See the Invisible with DaVinci Resolve’s A/B Mode

  • Posted by Charles Haine
  • April 19, 2023
  • 2 min
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Camera to Cloud Webinar: In-Depth Introduction to Frame.io C2C

  • Posted by Laurence Grayson
  • April 6, 2023
  • 4 min
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  • DaVinci Resolve

The Simple Technique for “Cinematic” Color Saturation in DaVinci Resolve

  • Posted by Cullen Kelly
  • April 3, 2023
  • 7 min
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Made in Frame: Moving a Mountain at The Sundance Film Festival

  • Posted by Lisa McNamara
  • March 30, 2023
  • 13 min

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