Categories BusinessWorkflow Scaling a Small Business with a Cloud-Native Workflow Posted by Jason Druss December 5, 2022 5 min
Categories ProductionTechnology 12K and Beyond: Do Filmmakers Really Need Higher Resolutions? Posted by Bryant Frazer May 24, 2021 11 min
Categories Art of the Cut Art of the Cut: Working Under the Gunn in “The Suicide Squad” Posted by Steve Hullfish August 18, 2021 30 min
Categories DaVinci ResolvePost-production How To Work Faster in DaVinci Resolve (Without Upgrading Your Hardware) Posted by Dan Swierenga November 8, 2021 11 min
Categories Made in Frame Made in Frame: “New Worlds: The Cradle of Civilization” Posted by Lisa McNamara January 31, 2022 11 min
Categories The Rough Cut The Rough Cut: Editors Take the Racing Line in “Gran Turismo” Posted by Matt Feury September 7, 2023 27 min
Categories CinematographyProduction The Cinematography of “Dune: Part Two” Posted by Phil Rhodes April 15, 2024 13 min
Categories VFX and MoGraphWorkflow Making the Move to a Remote VFX Workflow: Part 2 Posted by Scott Squires July 13, 2020 9 min
Categories ColorTechnology Why Every Editor, Colorist, and VFX Artist Needs to Understand ACES Posted by Ben Bailey September 9, 2019 10 min
Categories Behind the scenesWorkflow Workflow Breakdown of Every 2022 Oscars Best Picture Nominee Posted by Lisa McNamara March 28, 2022 42 min
Categories Editing The 11 Biggest Backup Mistakes That Editors Make Posted by David Kong January 3, 2018 8 min
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